DONA DONA SECUNDA FREE

DONA DONA SECUNDA FREE

Swallow (in the third verse) = the free spirit of the arrested Jew Swallow (in the first verse) =someone who wasnвЂ™t destined to persecution. Like the swallow must learn to fly (One who has wings flies high and never becomes a slave.) Like the swallow so proud and free?вЂќ (вЂќ You couldnвЂ™t be a bird, you couldnвЂ™t be a swallowвЂќ)Д¬alves are easily bound and slaughtered (Men bind and slaughtered poor calves.) вЂњStop complaining,вЂќ said the farmer, (The calf cried and the farmer said, вЂќ вЂ¦.вЂќ)

So I think thatвЂ™s why the translators wrote вЂњsummerвЂќ.) (The winds are blowing through the grain. (The original means the swallow is pleased, turn in around.)ДЄnd half the summerвЂ™s night. (I think itвЂ™s related to the Judean sacrifice.) This is the English translated text with some annotations explaining the difference between the translated text and the original.). She didnвЂ™t notice the spelling changes and sang with different pronunciations.

The song became very popular, after Joan Baez sang it with her guitar. By the translation, Schwarz changed вЂњDanaвЂќ to вЂњDonaвЂќ and вЂњDanвЂќ to вЂњDonвЂќ or вЂњDownвЂќ so it would be pronounced more like the original. The very popular English translation of вЂњDana DanaвЂќ, which is now вЂњDona DonaвЂќ was translated by Arthur Kevess and Teddi Schwartz ca.1956. I used вЂњha ha ha вЂњwith some conjunct motions. As I prepared the song I was not aware of his original piece. I was surprised, because I used вЂњha ha ha вЂњtoo, when I arranged the song for a Duo and Piano for my musical research. There are some difference between the original and the melody that are well known.) Secunda wrote вЂњha ha ha вЂќ for the choral score with the broken chords. Secunda wrote вЂњmolto rit.вЂќ (gradually very slowly) for the ending of the first verse. Then вЂњheвЂќ sings the melody, and вЂњsheвЂќ sometimes sings вЂњDanaвЂќ, other times sings вЂњAhвЂќ with a high voice or technical passage. Although singing the third part of вЂњDana DanaвЂќ (=вЂќDana Dana Dana DanaвЂ¦.вЂќ) the man sometimes sings lower than the melody using disjunct motions. He wrote вЂњpiГ№ mossoвЂќ ( more rapidly) for the refrain and some passages that emphasize the winds.ДЇirst, a woman (Secunda wrote вЂњsheвЂќ) sings four bars and then the man (Secunda wrote вЂњheвЂќ) sings the next four. The melody of the introduction was also used at the end of the song. He wrote for the choral score вЂњAndantinoвЂќ ( some slowly) and вЂњsempre staccatoвЂќ (Play staccato always! staccato=separate clearly each of the notes ). You can see the Hebrew text with вЂњEsterkeвЂќ that I have already written. The Yiddish text was written with roman alphabet. Secunda wrote вЂњDana- вЂќ for the orchestral score and вЂњDana DanaвЂќ for the vocal scores. The original is 2/4, in G minor for a duo of a man and a woman, choral with the orchestral accompaniment. Therefore I believe that all of the scores were written by Shalom Secunda. Secunda wrote two types of вЂњDвЂќ, an English style and a German style. The style of clefs, beams of notes and the handwriting are similar in all the scores, although there are little differences in the stems of some notes. You can see the notes, manuscript and scores with вЂњEsterkeвЂќ.

He worked at a Jewish theater from 1937 to the beginning of the 1940s. The composer, Shalom Secunda пј€or Sholom Secunda) 1894-1974, was born in Ukraine and was educated in America. The author, Aaron Zeitlin (or Ahron Tzeitlin) 1889-1973, was born in Russia and lived in Poland. Both of them are Jewish and the song was written in the time of the Nazis. The text was written by Aaron Zeitlin (1889-1973), and the music was written by Sholom Secunda (1894-1974). The original Yiddish song was for the theater piece вЂњEsterkeвЂќ (1940/41). ItвЂ™s sung in some countries and has been sung in many Japanese schools for a long time. вЂњDana DanaвЂќ is a very popular American song, that is well known in English as вЂњDona DonaвЂќ.

Dona dona secunda